Chicago Imagism represents something more complex than a published manifesto, an aesthetic engagement, or a theoretician’s aim at creating an avant-garde. One might argue that Chicago Imagism, an internationally recognized movement with roots in the late 1960’s and early 1970’s, is still alive and well in the second city. On his 90th birthday on January 26, 2014, Richard Loving explained to a rapt audience at the Hyde Park Art Center, that his work “like the work of other ‘Imagists'” were simply about making the work that they wanted to make.
In their current exhibit, Inside the Outside at the Hyde Park Art Center curated by Aaron Ott, Richard Loving and Eleanor Spiess-Ferris’s works on display span two careers that aptly describe the very complicated historicity of the Chicago Imagist movement. Inside the Outside is a critical investigation of the ambiguous framework of Chicago Imagism and how these two very different artists bound geographically but also aesthetically chose to utilize its tenets to spur their artistic visions.